Stagestruck
Stagestruck: Earnest and Chester
Last week, Barrington Stage Company’s Julianne Boyd greeted the audience for her troupe’s opening production, staged in a socially distanced tent at the edge of Pittsfield, with these long-awaited words: “I want to welcome you to live theater.” This week, introducing...
Stagestruck: And We’re Back!
Sometimes in the course of the past year I despaired of ever again hearing that mantra of curtain speeches in the cyber-era: “Please silence your cell phones” – or of hearing the words spoken by Julianne Boyd on Barrington Stage Company’s opening night: “I want to...
Stagestruck: Through the Portal
Down a pebbled path flanked by tall grasses in an orchard hung with ripening fruit, we come to an archway fashioned of bent branches: The Portal. There, our Guides invite us to hang a slip of paper on which we’ve written something we wish to leave behind, after the...
Stagestruck: My Year of Zoom
The Year of Covid shut down live theater and just about every other in-person interaction, in the arts as elsewhere. In their place: the Year of Zoom. In the circumstances, Zoom was a blessing – a marvel of the age, allowing face-to-face contact and online...
Cover story: Live at Last – Area theaters step back onstage
Sheryl Stoodley is standing in the middle of the Workroom, the performance space in the Northampton Community Arts Trust building curated by A.P.E.@Hawley. In time, it will become a fully equipped studio theater, but for now it’s an enormous unfinished cube, more like...
Stagestruck: Sojourners in the Bardo
Imagine, if you will, that you suddenly find yourself in a weird netherworld, suspended between the life you knew and an uncertain future. You’re stuck in a confined space that is both familiar and strange; you’re communicating with others via a small glass window,...
Stagestruck: Letters to Kamala
The election of Kamala Harris as the first woman Vice President of the United States, not to mention the first African American and the first of South Asian descent, is certainly cause for celebration – as well as thoughts of “It’s about time.” But those “firsts”...
Stagestruck: A ‘Caesar’ for Our Time
The publicity teaser asks, “Why Julius Caesar now?” And why, for that matter, put an all-female cast into Shakespeare’s most male-centered tragedy? The short answer to the second question is that the show comes from Smith College, and the longer one embraces the first...
Stagestruck: Treading Water – Theaters strive to stay afloat, as two go under
A year ago this week, I filed my review of a new play, The Pitch, which had just opened at the Majestic Theater in West Springfield. Two weeks later, Covid-19 closed the production (the run will resume once the theater is able to reopen its doors). The following week,...
Stagestruck: “Stagehand” Redux
One of the most adventurous endeavors in the past Year of Zoom has been Stagehand, a live immersive piece from Eggtooth Productions first seen last fall. Another iteration launches this weekend and next, with a new framing concept and novel ticketing options. As...
Stagestruck: Unseen, but Audible
There’s an old story from the early days of television, when the flickering screen was competing for audiences with radio drama. A young boy, asked which he preferred, radio or TV, answered without hesitation, “Radio. Because the pictures are better.” I was reminded...
Stagestruck: Torch Songs
MIFA, the Massachusetts International Festival of the Arts, is a Holyoke-based venture that’s working to restore the city’s venerable Victory Theatre as a regional performance venue while also forging partnerships with the Latinx community. MIFA and the...
Stagestruck: But Is It Theater? – The Year in Zoom
Does theater, by definition, require an audience’s physical presence in a shared space with live actors? Is viewing the video record of a live performance different in a fundamental way from being there? What are we to make of the new online performances in this time...
Stagestruck: A Woke Thanksgiving
“Thanksgiving is such a lovely holiday. Do we have to talk about genocide during this beautiful American holiday?” That’s the kind of pushback often directed at reassessments that put “the first Thanksgiving” in its true historical context, says Talya Kingston. She’s...
Stagestruck: Halloween & Other Horror Shows
It’s the time of year for werewolves and witches, costumes and candy – and, in this especially bloodcurdling season, tricks and Trump – so this weekend, area theaters are offering an autumn harvest of howls and horror. Here’s a rundown (alliteration-free). From UMass...
Stagestruck: Immersion By Proxy
As you approach the theater, you find a note pinned to the stage door. It’s from the director, who says he’s been delayed and you’re to check in with the cast and make sure everything is ready for rehearsal. Then you open the door, and step back in time. You’re in...
Stagestruck: Roe in the Balance
It wasn’t planned this way, but the timing couldn’t be more apt. Just as the U.S. Senate is poised to confirm a “pro-life” justice to the Supreme Court, where abortion rights hang in the balance, WAM Theatre is poised to launch a play about Roe v. Wade. Lisa Loomer’s...
Stagestruck: We’re All Improvisers Now
Last March, when the theaters shut down and the proverbial ghost lights went on, we thought we might be back onstage by now. I, for one, thought the play I was scheduled to direct would be opening this weekend. But as the spring scramble of online make-do’s turned...
Stagestruck: What I Did on My Summer Staycation
In the usual summer theater season, I’ll see dozens of plays and put hundreds of miles on the odometer. But in this most unusual summer, the car stayed mostly in the driveway and I stayed mostly in the house. I did get to over two dozen shows – or rather, they were...
Stagestruck: The Hills Are Live – UPDATE
August 13 update: Just as this piece was about to be filed last week, Barrington Stage Company and Berkshire Theatre Group, the first-in-the-country theaters to reopen with live performances, received another blow to their well-laid plans. Following on from the...
Stagestruck: Live Theater Returns, Drive-In Style
In a former life I was a musician – a singer-songwriter in the ’70s mold. One of my most memorable gigs was a drive-in concert, opening for James Taylor’s sister Kate and her band. It took place/was held in a large field in suburban New Jersey, where a raised stage...
Stagestruck: Curtain Up on Stage 3
While most theaters in our area remain closed, some for the rest of the year – and some at risk of closing for good – others are looking past Zoom and toward Stage 3 of Massachusetts’ phased reopening, beginning next week, for ways to offer in-person performances. As...
Stagestruck: In the Zoom Room, Part 2
“A nasty side effect of the pandemic is that performing artists, like so many others, are suddenly in the position of rethinking our careers,” Kyle Boatwright told me the other day. “We still don’t know when we’ll see a stage again, and we’ve been cornered into making...
Stagestruck: In the Zoom Room, part 1
Phase Two of Massachusetts’ staged reopening started this week, lifting some restrictions on public activities such as dining, swimming and hairdressing (really??) but not on live performance. That no-no doesn’t lift till Phase Four, which won’t come along till late...
Stagestruck: Summer Stages – The prospects for live performance
“I’ve never missed uncomfortable theatre seats (and airplane seats, for that matter) more in my life,” Angela Combest wrote me recently. She’s the publicist for Chester Theatre Company, which, like almost every other theater in the region, has canceled its summer...
Stagestruck: Bridging the Social Distance
With campuses closed and classrooms empty, teachers are applying long-distance work-arounds to complete their spring courses, gathering their students in Zoom rooms and juggling assignments on Moodle. Teachers of acting, directing, and other hands-on theater skills...
Stagestruck: Ghost Lights in the Darkness
A ghost light is the single lamp that’s left burning onstage when the theater is dark, the audience has gone home and the cast and crew have called it a night. It’s the light that’s on when all the other lights are off. Ghost lights are shining 24/7 all over the...
Stagestruck: State of Plays
Yesterday morning I filed my column for next week’s Advocate, previewing upcoming screenings in Amherst Cinema’s National Theatre Live series. Yesterday afternoon I cancelled it when the cinema announced it’s closing until at least April 17th. There won’t be a...
Stagestruck: One-Pitch Wonder
In baseball parlance, having “a cup of coffee” refers to a player who is called up from the minors for a brief stint with the major-league team – staying just long enough to have a figurative cuppa. Stan Freeman’s The Pitch is about a fictional ballplayer who barely...
Stagestruck: Plain Jane
Jane Eyre may be the most-adapted of 19th-century English novels, and that’s saying something, in a field shared with Austen and Dickens. The Wikipedia entry for Charlotte Brontë’s 1847 gothic masterpiece lists over 50 film, radio and TV versions, together with dozens...
Stagestruck: Facts & Fancies
In these fake-news days, when fiction rules the cybersphere and truth is called a lie (and vice versa), the lifespan of a fact can be the length of a tweet (if it’s not stillborn). The play now running at TheaterWorks in Hartford (through March 8) can’t help but be...
Stagestruck: Peter Pan, Meet Lizzie Borden
Two of the shows coming up on three Five College stages this week and next are family-friendly journeys into Neverland’s backstory. The other is a rock musical about a sensational axe murder. First up is Finding Neverland, the musical based on the 2004 film. It was...
Stagestruck: The Shape of Silence
In 1981, Ota Shogo had a vision: “A broken faucet center stage. A thin line of water from the spout. The sound of water. A variety of people come by, approach, touch the water, and pass on. In this composition, silence breathes as living human time, not as form.” From...
Stagestruck: Filling in the Blank
Brian Stanton, an aspiring actor, is doing a class exercise based on Oedipus Rex, and he freezes. The story of the Greek king who’s tragically ignorant of his real parents strikes too close to home. Brian, like Oedipus, was adopted, and like Oedipus he’s both eager...
Stagestruck: Stand Tall, Mi Gente!
The name of the Performance Project’s youth program, First Generation, comes from its entrance requirement. All the participants identify as being a “first” in their family – the first to grow up in this country, to graduate high school or go to college, to be...
Love Letter to a Nightmare
“I secretly believe that I am a goddess with very brief moments of incarnation,” Jennifer Johnson declares, robed in a long white shift, a pair of ram’s horns set on her head. She’s portraying – or perhaps channeling – Leonora Carrington, the free-spirited...
Stagestruck on the Road: Witches in Berkeley
With all the talk of “witch hunts” flying around these days, it probably wasn’t quite a coincidence that two shows I saw recently in Berkeley, Calif., are on that very topic. Not the trumped-up political kind of witch hunt, though, but real ones born of historical...
Stagestruck: Theater in Motion
You’d think things would slow down after the hectic holidays, but no. The Cratchits are still picking at the Christmas leftovers and the Sugar Plum Fairy has barely taken off her toe shoes, when January blows onstage full of New Year promise. This month I’m looking...
Stagestruck: The Equity Equation
Every year in this column I make an equity survey of area theaters – not Equity the actors’ union, but the representation of women and people of color. And every year the outlook, once deeply depressing, gets a little better. Of the 45 full productions I saw this year...
Stagestruck: History Lessons – Recalling the past to inform the present
The past, as they say, is prologue. We look back to ground our present and see ahead more clearly. And in these murky times, that’s more necessary than ever. At least, that’s the impression I drew from the sheer number of shows I saw this year that have their roots in...
Stagestruck: Holiday Stages, Part Two – Potpourri
Last week I previewed some area productions of those holiday stalwarts A Christmas Carol and The Nutcracker. But it’s not all ghosts and sugarplums this Yuletide. Here are some alternatives for your seasonal theatergoing, tracking north to south, then making a curve...
Stagestruck: Holiday Stages, Part One – Evergreens
Charles Dickens’ classic tale of the mean old miser who gets the Scrooge scared out of him by midnight spirits is likely the second-most often retold Christmas story, after the one about Jesus. The Russian fairy tale about the little girl and the nutcracker is...
Stagestruck: Eye of the Storm
Nilaja Sun is, quite simply, the most exciting solo performer I’ve ever seen. She’s a small, wiry woman whose expansive presence fills a stage. Drawing on an astonishing talent for physical and vocal mimicry, her pieces are fully formed plays that bring to life a...
Stagestruck: Campus Cornucopia
This weekend and next, Valley colleges present a fall cornucopia of performances – a culture clash at Amherst, a gamer fantasy at Mount Holyoke, and the Valley premiere of a national dance piece at Smith. First up is Peace in the Home, this Thursday to Saturday...
Stagestruck: Assassination Rituals
Sometimes, in your darkest fantasies, when you’re struggling to process the latest outrage from this trumped-up president — you might just entertain visions of the regicides that feature in two Valley productions. One of them is about presidential assassins, the other...
Stagestruck: Women in the Lead
Three productions by women-led theaters are playing in the Valley this weekend, and another opens in the Berkshires. They echo themes around gender – from activities women aren’t “supposed” to engage in, to a trans transition, to young men of color in the...
Stagestruck: Live from London, in Amherst
National Theatre Live began its eleventh season this month and the Amherst Cinema has been there from the start, screening live-capture HD broadcasts from the London stage. First up is a transgressive, immersive Shakespeare (Oct. 19 & 30). That’s followed by...
Stagestruck: Facing Closed Doors – Plays old and new look at demonized populations
Anne Frank, who died in Bergen-Belsen concentration camp in 1945 at age 15, is the enduring image of innocence broken by the forces of hate. Thanks to the diary she kept in the Amsterdam attic where her family hid from the Gestapo, she’s also an inspiring symbol of...
Cinemadope: Wild Card
When it comes to superheroes, it’s pretty clear that the Marvel Cinematic Universe has claimed the throne in Hollywood. Picture a big-budget blockbuster from the last decade, and there’s a good chance it starred at least a couple of Avengers. DC Comics — their main...
Stagestruck: Forced to the Border
Two Latinx plays in the area revolve around themes of dislocation — displaced neighborhoods, populations, and minds. Quixote Nuevo, at Hartford Stage, transplants Cervantes’ demented knight errant to a Texas border town, and Not for Sale, in Holyoke, puts the gente in...
Stagestruck: Badass Women
These days it seems you can’t put on a play without your publicity assuring the public it’s going to be funny – no matter what play it is. (“Hamlet, a timeless tragedy with doses of wacky humor.”) So it might be a little suspect to report that Silverthorne Theater...
Stagestruck: On the Border, and Beyond
Two shows coming to this area have Mexican echoes. One is a children’s-story allegory of the current border crisis, the other a Mexican dramedy with an international range. Ropes, by Bárbara Colio, has been performed extensively in Spanish-speaking countries,...
Stagestruck: Summer Snapshots
Thinking back over the summer theater season just ended, images from memorable shows are passing before my mind’s eye, and ear — from striking moments in performances to sets and soundscapes. Here are some Valley snapshots. Chester Theatre Company celebrated its 30th...
Stagestruck: Dancing While Black
It wasn’t intentional, but thinking back on the programs I’ve seen at Jacob’s Pillow this summer, and forward to one that’s on this week, I realized that every concert on my dance card this year is by African-American-led companies. Unintentional, perhaps, but not...
Stagestruck: In Company with Shakespeare + a truly Bazaar production
Shakespeare & Company’s name has threefold associations. It’s a theater that works in the company, as it were, of its eponym. It shares the name of the legendary bookshop on Paris’s Left Bank, lending an air of bohemian audacity and camaraderie to the enterprise...
Stagestruck: Curve of the Season
Summertime is winding down, and so is the Valley’s theater season – but not quite yet. Chester Theatre Company opens its final show this week (see below), Double Edge Theatre continues the month-long run of its perambulating epic I Am the Baron (reviewed here), and...
Stagestruck: Child’s Plays
Both of the longstanding children’s theaters that enliven the Valley’s summer schedule tickle the funnybone while feeding the imagination, but they go about it in quite different ways. Tom McCabe’s PaintBox Theatre specializes in twisted takes on treasured tales, with...
Stagestruck: Getting Sticky
In the final week of this year’s Ko Festival of Performance, Sabrina Hamilton is looking forward to this weekend’s performance by the Ugandan musician-humanitarian Samite (see below) while musing on the season-so-far. Attendance is high and season subscriptions are...
Stagestruck: Ripped from the Headlines
Three plays now on area stages were inspired by real-life events: a superpower scrimmage, a mass shooting, and a nuclear disaster. These timely dramas humanize the headlines and highlight the power of theater to hold a mirror up to our best and worst natures. ...E-Edition
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