Stagestruck: Poetry, Puppetry and Attempted Murder
Nov20

Stagestruck: Poetry, Puppetry and Attempted Murder

Crimes of the Heart is an American classic. Beth Henley’s 1980 play garnered a Tony, a Pulitzer and a movie deal, ran on Broadway for over a year and has been a community theater staple ever since. Before catching Cate Damon’s lively production at the Majestic Theater in West Springfield (through Dec. 10) I hadn’t seen it for years, and was surprised at how quaint it now seems. The tumbling dialogue is humorously authentic (we’re in...

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Stagestruck: Not Your Bobble-head Einstein
Nov14

Stagestruck: Not Your Bobble-head Einstein

Though it harks back more than 100 years, Jack Fry’s Einstein! shuns the usual retrospective approach to solo shows portraying celebrities. This one is both timeless and time-stamped. The title character appears to us “from the beyond,” complaining about the popular caricature he’s become after death, presenting as evidence his wild-haired likeness on a t-shirt and a bobble-head. But he also situates us in his Berlin study in August...

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Stagestruck: The Fruits of Poetry
Nov08

Stagestruck: The Fruits of Poetry

Note: An earlier version of this article contained several errors. They have now been corrected. In 1999, Time magazine named its pick for “the song of the century.” That song was “Strange Fruit,” perhaps an odd choice from the songbook of the era that gave birth to blues, jazz, musical comedy and rock’n’roll. Written in the late 1930s by a schoolteacher named Abel Meeropol, it’s a mournful tune set to a bitter lyric about an...

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Stagestruck: House of Terrors
Nov05

Stagestruck: House of Terrors

The current world-premiere production at Hartford Stage (through Nov. 12) is “based on a true story,” according to the publicity, which is otherwise unforthcoming about its real-life inspiration. No matter. The premise for Sarah Gancher’s Seder is dramatic enough to pass for fiction, but has an unmistakable ring of authenticity. Fact or fantasy, it’s one of the smartest, most engaging and provocative new plays I’ve seen. It’s 2002,...

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Stagestruck: Babylon in Vermont
Nov01

Stagestruck: Babylon in Vermont

As artists, how can one watch the millions of refugees fleeing Syria, Iraq, Afghanistan, not to mention countries in Africa and Asia, and not want to address this issue?  That question provoked the latest handmade production from Sandglass Theater, the world-class puppetry troupe headquartered in Putney, Vermont. The floods of refugees flowing from the Near East into an often hostile Europe, coupled with the travel bans on people...

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