The pictures of Seattle-based artist and Westen Mass. native Jaq Chartier might look more like science fair projects than paintings to the untrained eye. The paintings—which are essentially studies of the way light affects the pigments in paints and stains—break down colors to their most elemental properties. By laying out her images (usually) in linear charts, Chartier has succeeded in drawing similarities to charts that break down life to its most basic components—DNA tests. In an age in which these primarily pop up in criminal investigations, specifically as evidence in violent crimes, the resemblance imparts an unpleasant familiarity.
Chartier’s paintings demand that they be taken for what they are—the physical changes in the chemical properties of paint as affected by light over time. Even when she is through with the paintings, change may still accrue to them. The viewer is ever aware of the state of each painting as an object in itself, as opposed to the representation of an object. Even the handling of the paintings requires extra TLC and constant attention to the semi-pliable qualities of the art. Work by noted Valley artist Nanny Vonnegut is also on display.
Through Oct. 18, opening reception: Sept. 13, William Baczek Gallery, 36 Main St., Northampton, (413) 587-9880, www.jaqbox.com.
