by Chris Rohmann | May 14, 2014 | Stage
For many people, opera is the highest and noblest form of theater—high-flown drama married to ravishing music sung by glorious voices, lifting it to a higher plane than mere spoken dialogue or opera’s downmarket cousin, the musical. But I’ve never...
by Chris Rohmann | May 28, 2014 | Stage
This week sees the culmination of an adventurous three-week process led by the French choreographer Thierry Thieû Niang. A co-presentation of MIFA Victory Theatre and Vermont Performance Lab, du Printemps reimagines the once-scandalous Rite of Spring,...
by James Heflin | May 28, 2014 | Stage
When the play Skyscraper hits the stage this week, it offers one intriguing resonance with reality, and it offers an equally intriguing take on the financial model of putting on shows and paying participants. The play focuses on the lives of six people (two of them...
by Chris Rohmann | Jun 4, 2014 | Stage
“We’re trying to get the most visual bang for the smallest spatial buck,” says Alan Schneider, one of the artists behind PanOpera. He’s standing beside a tall, narrow steel scaffold which serves as the multipurpose set for the group’s...
by Chris Rohmann | Jun 11, 2014 | Stage
This season, as Britain’s National Theatre marks its 50th anniversary, the company also celebrates the fifth year of NT Live, its series of performances satellite-beamed from its London stage and other U.K. venues. What started in fall 2009 as a risky experiment...
