by Chris Rohmann | Jul 15, 2017 | Articles, Arts, Stage, Stagestruck
In her “Detroit Trilogy” of plays, Dominique Morisseau looks at black lives in that once-vibrant city through the lens of three distinct eras and groups of people. Paradise Blue takes place in a 1949 jazz club in the city’s historic Black Bottom district, which is...
by Chris Rohmann | Jul 13, 2017 | Articles, Arts, Stage, Stagestruck
Think of Rosencrantz and Guildenstern Are Dead as fan fiction – Tom Stoppard’s contribution to the “greatest-play-ever-written” phenomenon. That is, Hamlet. In fact, though they were written centuries apart (around 1599 and 1966, respectively), the two make a...
by Chris Rohmann | Jul 11, 2017 | Articles, Arts, Newsletter, Stage, Stagestruck
The KO Festival of Performance opened last weekend, kicking off a diverse five-week season clustered around the theme “Tactics for Trying Times.” First up was Jimmy & Lorraine, written by Talvin Wilks and developed with Hartford’s HartBeat Ensemble. The playwright...
by Chris Rohmann | Jul 10, 2017 | Articles, Columns, Review, Stage, Stagestruck
There’s a disclaimer of sorts in Jack Neary’s director’s note for The Foreigner, New Century Theatre’s season opener, playing through this weekend in its temporary digs at PVPA, the area’s performing arts high school in South Hadley. In it, Neary acknowledges that...
by Chris Rohmann | Jul 3, 2017 | Articles, Arts, Columns, Review, Stage, Stagestruck
Are we finally breaking through the color bar in American theater? Is the tokenism represented by theaters programming one “diverse” play during Black History Month giving way to broader representation and bolder casting choices? Judging from the area’s summer theater...
