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Stagestruck: Stand Tall, Mi Gente!

Stagestruck: Stand Tall, Mi Gente!

by Chris Rohmann | Feb 10, 2020 | Articles, Arts, Columns, Featured, Review, Stage, Stagestruck

The name of the Performance Project’s youth program, First Generation, comes from its entrance requirement. All the participants identify as being a “first” in their family – the first to grow up in this country, to graduate high school or go to college, to be...
Love Letter to a Nightmare

Love Letter to a Nightmare

by Chris Rohmann | Feb 4, 2020 | Articles, Arts, Columns, Featured, Review, Stage, Stagestruck

“I secretly believe that I am a goddess with very brief moments of incarnation,” Jennifer Johnson declares, robed in a long white shift, a pair of ram’s horns set on her head. She’s portraying – or perhaps channeling – Leonora Carrington, the free-spirited...
Stagestruck on the Road: Witches in Berkeley

Stagestruck on the Road: Witches in Berkeley

by Chris Rohmann | Jan 14, 2020 | Articles, Arts, Columns, Featured, Review, Stage, Stagestruck

With all the talk of “witch hunts” flying around these days, it probably wasn’t quite a coincidence that two shows I saw recently in Berkeley, Calif., are on that very topic. Not the trumped-up political kind of witch hunt, though, but real ones born of historical...
Stagestruck: Theater in Motion

Stagestruck: Theater in Motion

by Chris Rohmann | Jan 7, 2020 | Articles, Arts, Columns, Featured, Review, Stage, Stagestruck

You’d think things would slow down after the hectic holidays, but no. The Cratchits are still picking at the Christmas leftovers and the Sugar Plum Fairy has barely taken off her toe shoes, when January blows onstage full of New Year promise. This month I’m looking...
Stagestruck: The Equity Equation

Stagestruck: The Equity Equation

by Chris Rohmann | Dec 17, 2019 | Articles, Arts, Columns, Featured, Review, Stage, Stagestruck

Every year in this column I make an equity survey of area theaters – not Equity the actors’ union, but the representation of women and people of color. And every year the outlook, once deeply depressing, gets a little better. Of the 45 full productions I saw this year...
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