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Stagestruck: Backstage with the Director of Tar2f! — Me

Stagestruck: Backstage with the Director of Tar2f! — Me

by Chris Rohmann | Mar 22, 2018 | Articles, Columns, Newsletter, Stage, Stagestruck

It might seem like a conflict of interest, but for me, it’s a confluence of interests. You see, in addition to being the Advocate’s theater critic, I’m also a director. I work both sides of the curtain, so to speak. When I’m not sitting in a theater watching actors...
Infants of the Spring: A new play views the Harlem Renaissance with a jaundiced eye

Infants of the Spring: A new play views the Harlem Renaissance with a jaundiced eye

by Chris Rohmann | Mar 9, 2018 | Articles, Arts, Columns, Newsletter, Stage, Stagestruck

The artistic nexus of the 1920s known as the Harlem Renaissance or New Negro Movement is remembered as a great flowering of black talent and a golden age in American cultural history. But at least one of its members, looking at it from the inside, saw it quite...
Stagestruck: Defying Gravity, Again

Stagestruck: Defying Gravity, Again

by Chris Rohmann | Mar 6, 2018 | Articles, Arts, Stage, Stagestruck

That wizard of wise foolery known as Avner the Eccentric is back. Avner Eisenberg is a genius of physical comedy and quick-witted clowning whose whimsical website states that “as a kid his passions were snakes and juggling. He wanted to be a doctor, but after a year...
Stagestruck: Willkommen to “Cabaret”

Stagestruck: Willkommen to “Cabaret”

by Chris Rohmann | Mar 3, 2018 | Articles, Arts, Columns, Newsletter, Stage, Stagestruck

As I wrote in this space last year, “So much of what we see and create seems newly topical and timely” since the rise of Trump. “Everything is now filtered through a horrifying new prism, taking on fresh meaning and urgency.” A striking example of the “Trump Effect”...
Stagestruck: Happier Valley Comedy expanding on improv

Stagestruck: Happier Valley Comedy expanding on improv

by Chris Rohmann | Feb 27, 2018 | Articles, Arts, Columns, Newsletter, Stage, Stagestruck

A troupe of high-spirited performers bound onstage and solicit goofy suggestions for characters and situations from the audience. Then they improvise short, snappy scenes based on those prompts. The comedy flows from the incongruities and the improvisers’ quick wits....
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