Stagestruck: Deck Us All

Stagestruck: Deck Us All

Tidings of comfort and joy, along with seasonal satires, are filling the area’s theaters. This month, I count at least three “Christmas Carols” and a “Nutcracker,” along with original takes on evergreen Hollywood movies and more family-friendly events.

Stagestruck: Bright Half Life

Stagestruck: Bright Half Life

Tanya Barfield’s brief two-character play “Bright Half Life,” at Silverthorne Theater, looks at the span of a relationship through a kaleidoscopic lens – not as an arc but in an ever-changing firmament of fleeting moments.

Stagestruck: Singin’ in the Storm

Stagestruck: Singin’ in the Storm

K and E Theater Group’s current production of he musical “Cabaret” at the Northampton Center for the Arts features a superb ensemble who adroitly capture both the show’s infectious vitality and its painful trajectory.

Stagestruck: Identity Crises

Stagestruck: Identity Crises

Two comedies now playing in the Valley turn on mix-ups and plot twists. “Don’t Dress for Dinner” is a sex farce set in the French countryside. “he Pirates of Penzance” is an operetta set in the hometown of “Arrr!”

Stagestruck: An Absurdity of Chairs

Stagestruck: An Absurdity of Chairs

An ancient couple, known only as Old Man and Old Woman, are living in bleak isolation in what seems to be a post-apocalyptic time in which all of civilization – or at least Paris – has been destroyed. They are eagerly awaiting the arrival of the survivors, an assortment of guests they’ve invited to hear a mysterious “message” from the Old Man that will save the world, or “what’s left of it.”

Stagestruck: Tricky Treats

Stagestruck: Tricky Treats

A Halloween basket of goodies in the area this weekend and next – from ghost stories imagined and real, to plays witchy and weird, plus a one-night Happening.

Stagestruck: Voices on the Wind

Stagestruck: Voices on the Wind

WAM Theatre’s press kit includes advice on how to approach reporting on their production of “Kamloopa.” A statement by the playwright, Kim Senklip Harvey, a member of the Syilx and Tsilhqot’in Nation centered in British Columbia, outlines “Protocols for entering the Indigenous Artistic Ceremony” – not only in general but for this play specifically. Top of the list: “Indigenous protocol is to be respected. Period.”

Stagestruck: Taking Off

Stagestruck: Taking Off

Mrs. Joe Bradshaw – née Shirley Valentine – is talking to the wall in her working-class Liverpool kitchen. She’s bored, lonely, dissatisfied and unfulfilled. Her kids are grown and gone, and her husband – well, she might as well be talking to the wall.

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Stagestruck: “Culture is my food!”

Stagestruck: “Culture is my food!”

This year’s through-theme at the Ko Festival of Performance, which opened last weekend in Amherst, is “Habitat (human)” – a topic that also runs through two more offerings this weekend: How I Learned to Drive, from Ghost Light Theater in Holyoke, and Moving Water, a work in progress at Serious Play Theatre Ensemble in Northampton. All three offer rich cultural nourishment.