Live from Argentina: Acclaimed tango guitarists to play in Northampton for dancers and music lovers alike
By STEVE PFARRER Staff Writer If you go to a milonga, or social dance, to do tango dancing in Buenos Aires, you’ll likely be doing it to live music. In western Massachusetts? No so much. Now, though, Western Mass Tango, which has hosted tango lessons and dances in the...
FIVE YEARS LEGAL: Marijuana has gone corporate, so why does the black market game continue to flourish?
Before the cellphone contagion, what games did families play during long trips in the car? Spotting license plates from other states or guessing the names of passing motorists kept our cherubs amused,: “Oh, that’s a Fester for sure!” These days, you could keep the...
Stagestruck: Coming Back to Live – Theaters took to the stage again this year, cautiously and creatively
After the spring, summer, fall and winter of our discontent — not to mention fear, frustration and isolation — this year area theaters tentatively, and often inventively, stepped onstage again. The sense of determination by performers and audiences alike to get back to live-in-person was unmistakable, along with the sheer joy of being back together.
Stagestruck: From Silver Screen to Holiday Stage
Two shows based on classic holiday movies are brightening area stages this season. In Pittsfield, Berkshire Theatre Group offers the stage adaptation of the 1954 blockbuster “White Christmas,” and Hartford Stage Company has moved “It’s a Wonderful Life” into an old-time radio studio.
Stagestruck: Deck Us All
Tidings of comfort and joy, along with seasonal satires, are filling the area’s theaters. This month, I count at least three “Christmas Carols” and a “Nutcracker,” along with original takes on evergreen Hollywood movies and more family-friendly events.
Stagestruck: Bright Half Life
Tanya Barfield’s brief two-character play “Bright Half Life,” at Silverthorne Theater, looks at the span of a relationship through a kaleidoscopic lens – not as an arc but in an ever-changing firmament of fleeting moments.
Stagestruck: Singin’ in the Storm
K and E Theater Group’s current production of he musical “Cabaret” at the Northampton Center for the Arts features a superb ensemble who adroitly capture both the show’s infectious vitality and its painful trajectory.
Stagestruck: Identity Crises
Two comedies now playing in the Valley turn on mix-ups and plot twists. “Don’t Dress for Dinner” is a sex farce set in the French countryside. “he Pirates of Penzance” is an operetta set in the hometown of “Arrr!”
Stagestruck: Ah, Wilderness! – race-blind or race-conscious?
Hartford Stage, like so many other theaters across the country, is having a reckoning with the upheavals of the past year-plus and has come to a tardy recognition that Black lives matter, on the stage as on the street.
Back from the Edge – Gateway City Arts almost died last year. Now it’s being reborn.
The 19th-century mill building on Holyoke’s Race Street that’s now home to Gateway City Arts almost died last year, a victim of the pandemic. But it’s now coming back to life. And for artist and co-owner Vitek Kruta, the whole building has become his canvas.
Stagestruck: An Absurdity of Chairs
An ancient couple, known only as Old Man and Old Woman, are living in bleak isolation in what seems to be a post-apocalyptic time in which all of civilization – or at least Paris – has been destroyed. They are eagerly awaiting the arrival of the survivors, an assortment of guests they’ve invited to hear a mysterious “message” from the Old Man that will save the world, or “what’s left of it.”
Sessions
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Born IV Blues on the Valley Advocate Sessions Stage
Born IV Blues is a teenage soulful blues band from the Berkshires
The V-Spot: Like a Virgin
“Before you unlock the chastity belt, let’s untie some of these knots you’ve got your virginity all twisted in!”
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Stagestruck Abroad: The National Theatre, London
Two plays at the National Theatre in London are responding to current hot topics. “Small Island” reflects the crisis of nativist immigrant-bashing, seen through the lens of a largely ignored chapter of British history; “Top Girls” puts a #MeToo-era mirror up to a Second Wave feminist classic.
