Stagestruck: Wars, Merry and Cold

Stagestruck: Wars, Merry and Cold

Just about the only things Shakespeare & Company’s two outdoor productions have in common are fresh air and trees. In the Bard’s sunny “Much Ado About Nothing,” Beatrice and Benedick engage in a “merry war” of wits, while in Lee Blessing’s “A Walk in the Woods,” two diplomats strive to negotiate an arms-control treaty in the shadow of nuclear war.

Stagestruck: Pillow in Motion

Stagestruck: Pillow in Motion

The evening unwraps slowly in a flowing sequence of encounters – tentative, teasing, edgy and sexy – as the dancers circle and entwine. They highlight “the beauty in our [Black] culture, the way we love and love on each other.”

Stagestruck: Small Disasters

Stagestruck: Small Disasters

Anna Ouyang Moench’s “Birds of North America,” at Chester Theatre Company, is the kind of piece in which Chester specializes and excels – small, subtle dramas that pull you in and make you think. It’s about climate change, but doesn’t hammer the theme. It’s more metaphor than polemic, more quiet anguish than loud confrontation.

Monte Belmonte Wines: The wine world is your oyster

Monte Belmonte Wines: The wine world is your oyster

Why, then, the world's mine oyster, Which I, with sword, will open.   — William Shakespeare  from The Merry Wives of Windsor   Scott Soares’s world is an oyster. Well, his world when he is not being appointed by Presidents Obama and Biden to be USDA Rural...

Stagestruck: Two Schools, Worlds Apart

Stagestruck: Two Schools, Worlds Apart

In the early 2000s, teachers and students at two U.S. schools – one student body predominantly Black and Latinx, the other white and Asian-American – were caught in wholesale cheating on mandated exams. May Treuhaft-Ali’s world-premiere play “ABCD,” at Barrington Stage Company, is molded by these incidents, but she’s motivated by the knowledge that they were not outlier instances.

Stagestruck: Once, Upon a Stage

Stagestruck: Once, Upon a Stage

“Once,” the 2011 musical based on the 2007 film, calls for 13 performers who can sing, act and play an instrument, all of them to a high standard, plus do a passable Irish or Czech accent. Berkshire Theatre Group’s production pretty much checks all those boxes, with delightful results.

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V-Spot: He’s Afraid to Cuddle

V-Spot: He’s Afraid to Cuddle

“My partner and I have different sex drives. I could have sex four to six times a week, while he feels more comfortable with about two. In the beginning, we had a lot of sex and I was ecstatic thinking that our sex drives were more matched. Now, not so much.”

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