Mixtape: First Night performers, Lexi Weege and JJ Slater’s albums reviewed
By JENNIFER LEVESQUE For the Advocate Notorious for her vocal range, local singer/songwriter Lexi Weege releases her second solo record, “lw.” Weege started performing when she was really young with her mother’s traveling cabaret show. “I was exposed to all types of...
Live at Last
Sheryl Stoodley is standing in the middle of the Workroom, the performance space in the Northampton Community Arts Trust building curated by A.P.E.@Hawley. In time, it will become a fully equipped studio theater, but for now it’s an enormous unfinished cube, more like...
Stagestruck: My Year of Zoom
In the Year of Covid, Zoom was a blessing – a marvel of the age, allowing face-to-face contact and online performance. But it was also a curse – and I spent a lot of time cursing at it. Over the year, the drawbacks did constant battle with the benefits.
Cover story: Live at Last – Area theaters step back onstage
It’s been over a year since COVID-19 shut down theaters across the world, and performing artists are aching to get back onstage with a live audience. Now, a few theaters in the Valley and Berkshires are planning in-person summer performances, indoors and out.
Stagestruck: Sojourners in the Bardo
Imagine that you suddenly find yourself in a weird netherworld, suspended between the life you knew and an uncertain future. No, wait. You don’t have to imagine it – it’s the place we’ve all found ourselves in for the past year. In “The Waiting Room,” Silverthorne Theater seeks to enlist the audience in an act of collaboration with a key pandemic player.
Stagestruck: Letters to Kamala
The election of Kamala Harris as the first woman Vice President of the United States, as well as the first African American and the first of South Asian descent, is cause for celebration. But those “firsts” don’t sit quite comfortably with the three women of color in a new play, “Letters to Kamala.” These ladies are pissed.
Stagestruck: A ‘Caesar’ for Our Time
This production takes a hyper-modern, politically savvy swipe at the militarist, toxically masculinist, authoritarian, elite-driven culture of this political moment – and at the ghosts, the women’s voices, the supernatural warnings, that have been repressed and suppressed for too long.
A Great Ride: Narkewicz, Morse reflect on a decade in office
Alex Morse has a new pup — a goldendoodle that answers to Oliver. Can you say inseparable? The Holyoke mayor brought him home from Pennsylvania and claims that the quarantine has afforded him a bit more time to train the pooch. “It adds a bit of perspective,” says...
Advocate Events – 2/25/21
Smith College Museum of Art will host a series of programs this spring. Among them are:Black Futures, March 1, 7-8:30 p.m., online. Join Kimberly Drew ’12, Thelma Golden ’87, Jenna Wortham and Amanda Williams for a conversation about Drew and Wortham’s recently...
Pot at your doorstep
Freshly restocked with three new members, the Cannabis Control Commission is gearing up for a year that will include the implementation of recently-approved regulations that allow for home delivery of non-medical marijuana, continuing to press for legislation that...
Stagestruck with Chris Rohmann: Treading water: Theaters strive to stay afloat, as two go under
A year ago this week, I filed my review of a new play, “The Pitch,” which had just opened at the Majestic Theater in West Springfield. Two weeks later, COVID-19 closed the production (the run will resume once the theater is able to reopen). The following week, my...
Sessions
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Hevvi Synthia on the Valley Advocate Sessions Stage
This week’s Advocate Sessions performer is Hevvi Synthia, a Greenfield-based band that combines heavy rock ‘n’ roll with synth, swagger, and grooves.
The V-Spot: Women (and Men), Do Your Kegels
Stronger Kegel muscles give you super-charged bladder control. Oh, and better orgasms. Did we mention the orgasms?
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Stagestruck: The Dollar Princess – WAM Theatre premieres “Lady Randy”
nne Undeland, the playwright and star of Lady Randy, says she wanted to find a 19th-century woman to build a one-person show around. “It soon became clear that if I wanted name recognition, I had to find a woman who was associated with a famous man. Dammit!”
