Stagestruck: Big Apple Bites
Feb15

Stagestruck: Big Apple Bites

At first glance, you’d think the two plays I saw in New York City last week have little in common. One is an international import from London to Broadway, the other an Off-Broadway transfer from a small regional theater in Vermont. One is twice as long as the other and fields a cast four times as large (and costs more than twice as much to see). One is set in Northern Ireland in 1981, the other in eastern Massachusetts in the present...

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Stagestruck: Mashups in Makeup
Feb11

Stagestruck: Mashups in Makeup

How’s this for genre mashups: Brontë gothic in which two of the characters are animals. Wildean romcom in which all the actors are women. Golden Age Spain in which a woman lives as a man. Multidisciplinary invention in which diversity seeks community. Renaissance tragedy in which the title character uncannily resembles a certain megalomaniac of today. Such are the parameters of upcoming productions on Five College stages this month...

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Stagestruck: Hi, Honey, I’m Home!
Feb04

Stagestruck: Hi, Honey, I’m Home!

When Nora Helmer famously slammed the door on her empty marriage at the end of Henrik Ibsen’s A Doll’s House, she changed the course of theatrical history, and social history as well. But shutting the door on one story implicitly opened another, and thus left a question hanging. What became of Nora after she claimed her freedom, leaving her husband and children to plunge into a world where women were largely defined by their marital...

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Stagestruck: Conversations and Conflicts
Jan27

Stagestruck: Conversations and Conflicts

Theater, Sheryl Stoodley firmly believes, “can be the starting point for conversations – much-needed at this point in our United States and in the world.” To that end, Serious Play, the theater Stoodley leads, “works toward reshaping society’s conversation on prominent social issues through the art of ensemble theater.” Her new initiative, under the umbrella title Conversations For Our Times Through Theatre, aims to involve...

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Stagestruck: Found and Lost
Jan22

Stagestruck: Found and Lost

In a program note for The Engagement Party, Samuel Baum says his play is “an exploration of secrets and lies.” Which puts it right in his wheelhouse, as his credits include the TV psycho-crime drama Lie to Me and the movie Wizard of Lies. He says he’s also interested in the notion of “how in relationships it takes years to build trust but only seconds to destroy it.” Those seconds quickly count down in this brief, absorbing play,...

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