Curated for your viewing and listening pleasure: Amherst Cinema presents Sound & Vision series through Sept. 18
By SCOTT MERZBACH Staff Writer A documentary profiling Swing-era clarinetist Artie Shaw, a musical comedy featuring 1960s-pop band The Monkees and one of African cinema’s first musicals are among this year’s selections in an annual summer celebration of music culture...
Monte Belmonte Wines: The wine world is your oyster
Why, then, the world's mine oyster, Which I, with sword, will open. — William Shakespeare from The Merry Wives of Windsor Scott Soares’s world is an oyster. Well, his world when he is not being appointed by Presidents Obama and Biden to be USDA Rural...
The V-Spot with Yana Tallon-Hicks: I’m Threatened By My Girlfriend’s Masturbation Habits
Hey Yana, I’ve been in a serious relationship for almost two years now and am only now feeling strong flare-ups of intense insecurity around sex. My partner and I have been having sex every day at least once a day, if not two or three, consistently for the...
Social Equity Programs try to level playing field for cannabis
Ilya Tunitskiy arrived in the United States when he was 7 years old, his family, who are Jewish, having fled religious persecution in Tajikistan after the collapse of the Soviet Union. Tunitskiy said he grew up to be a normal teenager who, like so many others,...
Pride Proud: Celebrations emerge in some cities, replacing those that fizzled in others
When Taurean Bethea came out as a gay man at 33 years old, he never pictured himself waving a flag or marching in a parade about it. “It wasn’t something I felt was needed. Like, why do I need to announce my orientation? It just didn’t make sense to me,” he said. But...
Stagestruck: Two Schools, Worlds Apart
In the early 2000s, teachers and students at two U.S. schools – one student body predominantly Black and Latinx, the other white and Asian-American – were caught in wholesale cheating on mandated exams. May Treuhaft-Ali’s world-premiere play “ABCD,” at Barrington Stage Company, is molded by these incidents, but she’s motivated by the knowledge that they were not outlier instances.
Stagestruck: Once, Upon a Stage
“Once,” the 2011 musical based on the 2007 film, calls for 13 performers who can sing, act and play an instrument, all of them to a high standard, plus do a passable Irish or Czech accent. Berkshire Theatre Group’s production pretty much checks all those boxes, with delightful results.
Stagestruck: B.R.O.K.E.N code B.I.R.D switching
“I see someone who wants to be told who they are, so they don’t got to ask it of themselves,” the photographer/savior says. “You’re so darn scared of feeling pain, you just don’t feel nothing at all.”
Stagestruck: Bodies of Evidence
Social/political themes are abundantly present in “The Equality of Night and Day,” a world-premiere work at Jacob’s Pillow from the Ronald K. Brown/EVIDENCE dance company.
Stagestruck: Hot-Weather Hits
After shutting down two years ago, then edging back with skeleton seasons last year, theaters in the region are back at full capacity this summer. Here are some of the shows I’m looking forward to seeing up and down the Valley.
Stagestruck: Annotated Austen
“Pride@Prejudice” (that’s @, not &) is a cyber-take on Jane Austen’s novel, a condensed rendering of her classic dissection of manners and morals, now playing at Chester Theatre Company. But it’s also inlaid with questions and comments mined from Internet chat rooms as students assigned the book in English class reach out for help in navigating the shifting currents of plot and personnel.
Sessions
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Staff Picks: Royal Frog Ballet, Gallery exhibits, That 1 Guy, and Strong & Pleasant ‘Rocktober’ Music Fest
The Royal Frog Ballet’s Surrealist Cabaret is a collection of performances which in the past have included music, puppetry, storytelling, and good old silliness.
The V-Spot: How To Be Curvy And Confident
Yana talks about defining your own dateability. You are worthy of love.
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Stagestruck: In Company with Shakespeare + a truly Bazaar production
Shakespeare & Company’s name has threefold associations. It’s a theater that works in the company, as it were, of its eponym. It shares the name of the legendary bookshop on Paris’s Left Bank, lending an air of bohemian audacity and camaraderie to the enterprise in Lenox. And the two-part moniker signals that here, Shakespeare keeps company with other playwrights.
