Rare views into an earlier age: Clark Art Institute exhibits some 80 original images in paper and photographs
By DON STEWART For the Advocate There are those who see winter not as a season but as a siege. They tire of shoveling white glittering fractals from their driveways and see snow as the unnecessary freezing of water. If you’re among those who don’t consider the frozen...
The V-Spot with Yana Tallon-Hicks: How do I prepare for first-time sex?
By Yana Tallon-Hicks I recently began a new relationship and am something of a late bloomer (I’m in my mid-20s), so I have very little actual experience when it comes to physical intimacy with a partner. My boyfriend and I have discussed it a bit, and he’s very...
Monte Belmonte Wines: Let these dozen rosés meet your desires
Rosé is not a grape. I can’t tell you how many times I’ve been at a party or restaurant and someone asks me, “Would you like a rosé?” That question is the functional equivalent of “would you like white wine?” The answer to both questions is “yes.” Follow up questions:...
Live at Last
Sheryl Stoodley is standing in the middle of the Workroom, the performance space in the Northampton Community Arts Trust building curated by A.P.E.@Hawley. In time, it will become a fully equipped studio theater, but for now it’s an enormous unfinished cube, more like...
Stagestruck: My Year of Zoom
In the Year of Covid, Zoom was a blessing – a marvel of the age, allowing face-to-face contact and online performance. But it was also a curse – and I spent a lot of time cursing at it. Over the year, the drawbacks did constant battle with the benefits.
Cover story: Live at Last – Area theaters step back onstage
It’s been over a year since COVID-19 shut down theaters across the world, and performing artists are aching to get back onstage with a live audience. Now, a few theaters in the Valley and Berkshires are planning in-person summer performances, indoors and out.
Stagestruck: Sojourners in the Bardo
Imagine that you suddenly find yourself in a weird netherworld, suspended between the life you knew and an uncertain future. No, wait. You don’t have to imagine it – it’s the place we’ve all found ourselves in for the past year. In “The Waiting Room,” Silverthorne Theater seeks to enlist the audience in an act of collaboration with a key pandemic player.
Stagestruck: Letters to Kamala
The election of Kamala Harris as the first woman Vice President of the United States, as well as the first African American and the first of South Asian descent, is cause for celebration. But those “firsts” don’t sit quite comfortably with the three women of color in a new play, “Letters to Kamala.” These ladies are pissed.
Stagestruck: A ‘Caesar’ for Our Time
This production takes a hyper-modern, politically savvy swipe at the militarist, toxically masculinist, authoritarian, elite-driven culture of this political moment – and at the ghosts, the women’s voices, the supernatural warnings, that have been repressed and suppressed for too long.
A Great Ride: Narkewicz, Morse reflect on a decade in office
Alex Morse has a new pup — a goldendoodle that answers to Oliver. Can you say inseparable? The Holyoke mayor brought him home from Pennsylvania and claims that the quarantine has afforded him a bit more time to train the pooch. “It adds a bit of perspective,” says...
Advocate Events – 2/25/21
Smith College Museum of Art will host a series of programs this spring. Among them are:Black Futures, March 1, 7-8:30 p.m., online. Join Kimberly Drew ’12, Thelma Golden ’87, Jenna Wortham and Amanda Williams for a conversation about Drew and Wortham’s recently...
Sessions
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Hevvi Synthia on the Valley Advocate Sessions Stage
This week’s Advocate Sessions performer is Hevvi Synthia, a Greenfield-based band that combines heavy rock ‘n’ roll with synth, swagger, and grooves.
The V-Spot: Jealous Over My Flirty Girlfriend
“It feels like all of my normal jealousy strategies have evaporated.”
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Stagestruck: New Kid on the Block
There’s a new theater company in the Valley, with a kick-ass name and no less a purpose than helping to “undo established hierarchical structures and their attendant damage.” It’s called Strident Theatre, and its vociferous founder is actor/director/playwright Susanna Apgar.
