Review
Stagestruck: ‘This’ Drama as Sitcom Is ‘Too Snappy, Too Loud’
This is the title of the play now running at Barrington Stage Company (through August 27). But it might be more accurately called This and That. Melissa James Gibson’s script is a grab-bag of seriocomic situations, satirical barbs and personal anguish that harks back...
Album Review: Pop and Punk Collide In The Prozacs’ Sci-Fi Influenced “Exist”
Back in January of this past year, the members of Westfield-based pop punkers, The Prozacs, parted ways. Formed in 2001 by Jay Gauvin (or better known as J Prozac), the band had seen many different line-ups of members throughout their time performing. Gauvin was going...
Valley Show Girl: A Jam Session in the Forest With Staind Singer Aaron Lewis
Staind. Remember them? I think at one point in our late-’90s lives we were all blasting “Tormented” or “Dysfunction” and relating to the ultra-sensitive alternative rock that was birthed right here in the Valley. Well, times have changed, and people change. Aaron...
A Look Inside Marc Chagall’s World at Springfield Museums
Put several dozen artists in a building called “The Beehive,” and what do you get? A space brimming and buzzing with new ideas and fresh perspectives on art, as a new exhibit at the Springfield Museums illustrates. Marc Chagall and Friends, a display of prints drawn...
Review: The Blues in Bloom, Lexi Weege’s New Album
Lexi Weege is the type of performer who draws you in immediately. She’s a blues and jazz songstress with a voice that combines intimate and heartbreaking cabaret singing, in the vein of French chanteuse Edith Piaf, with 1960s boisterous rock n’ roll frontwoman...
Valley Show Girl: Soundtracking Life with Eddie Japan
Ahead of their show at the Iron Horse, I plug my purple Skull Candies into my ears, and click play on the intro track to Eddie Japan’s Golden Age. The sound of static pulls me in, reminding me of vinyl, so I pretend I’m listening on a record player, not my computer at...
“Recipes from the Herbalists Kitchen” Great for Herb-an Renewal
Yes, I had cooked with herbs before, or I thought I had. But the first lesson that Conway author Brittany Wood Nickerson’s Recipes from the Herbalist’s Kitchen (just out from Storey Publishing in North Adams www.storey.com) taught me is that my prior forays in cooking...
Stagestruck: The Foreigner Hits Close To Home
There’s a disclaimer of sorts in Jack Neary’s director’s note for The Foreigner, New Century Theatre’s season opener, playing through this weekend in its temporary digs at PVPA, the area’s performing arts high school in South Hadley. In it, Neary acknowledges that...
Review: ‘In a Different Light’ at Easthampton City Arts Gallery
Thirteen of America’s presidents gather for a summit. They listen as Thomas Jefferson explains this new majesty before them — a giant, wonderfully fluffy chocolate-glazed doughnut with rainbow sprinkles. Teddy Roosevelt gathers his jacket at the hip judging the round...
Valley Show Girl: Khalif Neville and Ian Haas Are Musical Chameleons
I hear the sound of jazz in the parking lot as I walk towards New City Brewery in Easthampton last Thursday night. People are gathered in the patio area enjoying the music while also enjoying the summer night air. Inside, the old factory building with exposed beams,...
Tundrastomper Are Good Musical Neighbors in Western Mass
Tundrastomper, an explosive, chaotic, and notey rock band, formed about 10 years ago when Skyler Lloyd, Sam Brivic, Andrew Jones, and Max Goldstein were teenagers — about 13 years old each. They grew up in a town in Westchester, New York, called Ardsley. I looked it...
Blaise’s Bad Movie Guide: Wonder Woman’s Got Nothing on Feline Empowerment
For Father’s Day, I was treated to a screening of the new Wonder Woman movie. My daughter summed it up well: It was better than good, but not great. What I cannot understand is the fever this movie has generated. Women-only showings? Were there any women-only showings...
Stagestruck: Stellar Casts Overcome Awkward Plot Points at Chester and Williamstown Theatres
Are we finally breaking through the color bar in American theater? Is the tokenism represented by theaters programming one “diverse” play during Black History Month giving way to broader representation and bolder casting choices? Judging from the area’s summer theater...E-Edition
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