Stagestruck: Postcards from the Cape, #3

Stagestruck: Postcards from the Cape, #3

The Harbor Stage ensemble is like a superlative string quartet – four virtuoso soloists in tune with each other’s rhythms and dynamics while anticipating their cues. The current show, “Dindin,” is a masterly showcase of this foursome in full flight.  

Stagestruck: Postcards from the Cape, #2

Stagestruck: Postcards from the Cape, #2

Tennessee Williams wrote “The Glass Menagerie” in 1943, when he was part of the creative ferment that has long defined Provincetown, Mass. The current revival at the Provincetown Theater recalls that genesis, with mixed results.

Stagestruck: Postcards from the Cape, #1

Stagestruck: Postcards from the Cape, #1

Every summer I spend a week on Cape Cod, enjoying the beach and, of course, the theater. This year I saw four shows at three Outer Cape theaters, two of which I haven’t visited in a while. Here’s the first of three snapshots from those seaside shows, “Nat Turner in Jerusalem” at Wellfleet Harbor Actors Theater.

Stagestruck: A Valley Half-Dozen

Stagestruck: A Valley Half-Dozen

It’s August, and the summer theater season is winding down. No, wait. It’s not. In the Valley, no fewer than six live-in-person productions will be vying for our attention this weekend alone.

Stagestruck: Burnett-ing Down the House

Stagestruck: Burnett-ing Down the House

Archie Burnett is a living repository of the house dance that coalesced in after-hours dance clubs, and “Life Encounters” is his personal odyssey of discovery and initiation, narrated in onstage vignettes with his intergenerational, international, multiracial troupe.

Stagestruck: The ‘Art’ of Friendship

Stagestruck: The ‘Art’ of Friendship

I’ve seen Art several times over the years, and what always strikes me is that it’s a play about men acting like women. And therein lies the crux of the play – and the problem with this production.

Stagestruck: Two Great Ladies on Noah’s Ark

Stagestruck: Two Great Ladies on Noah’s Ark

My partner, a literature professor, has noted a principle in both scholarship and fiction that she calls the Noah’s Ark Approach: If you want to get attention for your female subject, pair her with a famous man. Two new plays in Berkshire theaters illustrate that rule.

Stagestruck: The Weather, the Union, and Othello

Stagestruck: The Weather, the Union, and Othello

I had a theater-going “double feature” planned for last Saturday – two outdoor shows in a row from adventurous Berkshire-based companies. But those plans were disturbed by two irresistible forces: Nature and Actors’ Equity Association.

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The V-Spot: Staying Sexy in Our 60s

The V-Spot: Staying Sexy in Our 60s

“I am a 66-year-old man who is in love, and in a new relationship, with a very sexually active 60-year-old woman. I have come to the conclusion that I could use some help in fulfilling her sexual needs.”

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Stagestruck: The Flamingo Kid cruises into Hartford

Stagestruck: The Flamingo Kid cruises into Hartford

The Flamingo Kid, a world-premiere musical at Hartford Stage, revolves around Jeffrey, a Brooklyn teenager, played with nerdy charm by newcomer Jimmy Brewer, who gets a summer job at a posh beach club and has his working-class head turned by the swank surroundings and the beautiful Karla, with whom he falls head-over-Keds in love at first sight.