Columns

Stagestruck: A Voice of Gladness

Stagestruck: A Voice of Gladness

If you’re like me, you studied William Cullen Bryant’s poem “Thanatopsis” in high school English class, and haven’t given it or its 19th-century author a thought since then. Well, I paid the man and his work a return visit the other day at his hillside homestead,...
StageStruck: The Ones That Got Away

StageStruck: The Ones That Got Away

I don’t fish. To be frank, I don’t approve of fishing, especially “sport” fishing, since, like hunting, it’s not a sport in the accepted sense, that is, a contest between two equal adversaries playing by the same rules. I don’t understand the outsize thrill folks seem...
Stagestruck: Cabin Fever

Stagestruck: Cabin Fever

It’s such a pleasure to see a play in which language is as important as plot – a play whose dialogue doesn’t simply move the story forward but enriches it. Sister Play, at Chester Theatre Company, is such a gem – an absorbing, what’s-really-going-on narrative powered...
Stage Struck: The Blast of War

Stage Struck: The Blast of War

“Theater is so subjective!” said my friend as we left the Bernstein Theatre at Shakespeare & Company. She was in tears, but I was relatively unmoved. Ugly Lies the Bone, by Lindsey Ferrentino, takes an unflinching look at a searingly dramatic subject that’s too...
StageStruck: Aphra; or, Behn

StageStruck: Aphra; or, Behn

Aphra Behn was probably the first Englishwoman to write professionally, that is, to make her living from writing. She’s best known as a playwright, though only recently rediscovered by audiences. While she wasn’t, as Shakespeare & Company’s website has it, “the...
Nightcrawler: It’s Been Awhile

Nightcrawler: It’s Been Awhile

Five years ago, homegrown rocker and country boy Aaron Lewis was teed off about the impending consolidation of his children’s school. True to form, he swiftly rose above the rhetoric to form his own nonprofit, the It Takes A Community Foundation, and reopened...
StageStruck: Old Becomes New

StageStruck: Old Becomes New

Two theater pieces transmute their originals What happens when you take someone else’s work and change it, adapt it, and mold it into something of your own? I’m not talking about plagiarism, but homage – giving new form or context to an admired original. Two new/old...
Cinemadope: Fallout

Cinemadope: Fallout

Conspiracy Theories “Challenger” will forever be one of those words whose meaning — or at least its history — is immediately known to anyone old enough to have lived through the 1986 space shuttle disaster. That tragic moment, witnessed live by so many American...
StageStruck: Cat and Tat

StageStruck: Cat and Tat

Here’s one thing the two very different Tennessee Williams plays now running in the Berkshires have in common: The sets have no walls. In Cat on a Hot Tin Roof, on the Berkshire Theatre Group’s Stockbridge mainstage, four white-and-pastel pillars frame the sparsely...