Stagestruck
Stagestruck: The Fruits of Poetry
Note: An earlier version of this article contained several errors. They have now been corrected. In 1999, Time magazine named its pick for “the song of the century.” That song was “Strange Fruit,” perhaps an odd choice from the songbook of the era that gave birth to...
Stagestruck: House of Terrors
The current world-premiere production at Hartford Stage (through Nov. 12) is “based on a true story,” according to the publicity, which is otherwise unforthcoming about its real-life inspiration. No matter. The premise for Sarah Gancher’s Seder is dramatic enough to...
Stagestruck: Babylon in Vermont
As artists, how can one watch the millions of refugees fleeing Syria, Iraq, Afghanistan, not to mention countries in Africa and Asia, and not want to address this issue? That question provoked the latest handmade production from Sandglass Theater, the world-class...
Stagestruck: Runaways and Refugees
“Once upon a time / There was a boy or a girl / Who ran far away from home …” But this is no fairy tale. Runaways, which opens this week at UMass, is a grown-up musical about homeless children — kids who have fled from home and are living on the street....
Stagestruck: Going for Goal
The timing was kind of perfect. Last week, just as the U.S. men’s soccer team was being eliminated from qualifying for next year’s World Cup, Hartford’s TheaterWorks was opening The Wolves, an energetic if puzzling play about women’s soccer. Make that girls’ soccer....
Stagestruck: A Light, a Lake and a Lady
In last week’s column I covered a fistful of shows playing in the Valley, and now it’s the Berkshires’ turn. Shakespeare & Company’s God of Carnage recently completed a late-season run, and three quite varied fall productions are now running on other western...
Stagestruck — Fall Harvest: A Bumper Crop of Valley Shows
At the end of summer, there’s a pause before the fall season unfolds — or rather, explodes. Suddenly, this weekend and next there’s a bumper crop of shows in an abundance of Valley venues. By my count, no fewer than seven productions are on hand — 21 if you count the...
Stagestruck: “Tuna” on Wry − Lake Wobegon, Texas-style
One way to put a big play on a small stage and stay on budget is by having two actors play all the parts. In Silverthorne Theater Company’s current offering, that’s not a cost-cutting shortcut, it’s the key concept. Greater Tuna, playing this weekend and next,...
Stagestruck: Culture Clashes on the Border and on the Island
Two plays in the Valley this weekend couldn’t be more different but at the same time so close to the bone of our current national crisis of xenophobia and identity. Building the Wall, in Northampton, is a tense confrontation that touches on today’s headlines and then...
Stagestruck: Summer Theater Wrap Party, in Living Color
The area’s summer theaters have folded their metaphorical tents for the year, though three of the Berkshire companies are also mounting fall shows. For this critic, it was a Sergio Leone season: good, bad, and occasionally ugly. (An example of the extremes —...
Hidden Figures in the Silent Sky
When Robert Freedman tells people about Silent Sky, the play he directs this weekend at the Shea Theater, they often think he’s talking about Hidden Figures, the recent movie about black women mathematicians who worked as “computers” for NASA in the 1960s. But, he...
Northampton’s ‘Beefcake’ Scandal
Fifty-seven years ago this month, agents of the Anti-Smut Unit of the Massachusetts State Police raided the Northampton apartment of Smith College literature professor Newton Arvin and discovered copies of “beefcake” magazines he had collected and shared with friends....
Stagestruck: Angels & Obsessions at NT Live
If there is a genuine epic in American drama − its ideas as expansive as its scope − it is surely Angels in America, Tony Kushner’s two-part, eight-hour “gay fantasia on national themes.” And if there is a consummate example of cross-disciplinary provenance on the...
Stagestruck: Two Women, Intimate dramas explore shifting connections
A pair of two-handers, playing through this month and just next weekend respectively, examine intimate, intricate relationships between women. Harbor Stage Company, one of the region’s most reliably stimulating summer theaters, premieres its adaption of a cinema...
Stagestruck: Ending on a Laugh
New Century Theatre is closing its summer season as it began — with “a full-out comedy,” as director Sam Rush puts it. This one is The 39 Steps, a jokey reconstruction of Alfred Hitchcock’s epic 1935 thriller. Or perhaps I should say deconstruction, since it’s...
Stagestruck: Old-Fashioned Fun
The Fitzpatrick Mainstage on the Berkshire Theatre Group’s Stockbridge campus is the site of what I’m told is the country’s oldest continuously operating summer theater. For 89 years the building, converted from a former casino in 1928 by Broadway star Eva Le...
Stagestruck: ‘This’ Drama as Sitcom Is ‘Too Snappy, Too Loud’
This is the title of the play now running at Barrington Stage Company (through August 27). But it might be more accurately called This and That. Melissa James Gibson’s script is a grab-bag of seriocomic situations, satirical barbs and personal anguish that harks back...
Stagestruck: A List Of Things To Live For in ‘Every Brilliant Thing’
Everyone needs something to live for. Some of us have a harder time finding it than others. Much harder. So … if you’re a young child and your mom has just tried to kill herself, what can you do about it? Well, you could give her a list of everything that makes the...
Stagestruck: Chekhov in Middle School – WTF…
What is it with all the Chekhov parodies? Just this summer Silverthorne Theater Company gave us Stupid Fucking Bird, Aaron Posner’s metatheatrical riff on The Seagull. There’s Vanya and Sonia and Masha and Spike, Christopher Durang’s Uncle Vanya mashup. And last year...
Stagestruck: This Weekend Features ‘Slowgirl’ and ‘Doctor Doolitte’
Two small-scale productions playing in the area this weekend have one thing in common. They both take place in the jungle. Apart from that, they couldn’t be more different. Slowgirl traces a tentative, emotionally fraught encounter between a motormouth teenager and...
Stagestruck: History as a Living Weapon at Double Edge
A highlight of my summer theater season is always the magical change of pace afforded by Double Edge Theatre’s annual indoor/outdoor performance. This year, that peripatetic spectacle offers its own change of pace. Where previous seasons have given us captivating...
Stagestruck: Animal Behavior – An Albee Prequel in Stockbridge
At the beginning of At Home at the Zoo, Ann appears from the kitchen and says to her husband Peter, “We have to talk.” Then they talk for an hour, and by the time Peter leaves their apartment to have a quiet read in Central Park, we know a lot more about him than we...
Stagestruck: Hitting the Nail – New Century’s heroic truths
I’ll get right to the point: Hold These Truths, at New Century Theatre, is possibly the most important play of the summer, with certainly one of the season’s most exhilarating performances. It’s not only searingly suggestive of our current national crisis, but is a...
Stagestruck: Gladrags and Ragtime at Shakespeare & Company
Intimate Apparel is all about fabrics. The silky fabrics draping the figures of elegant Gilded Age matrons and the coarser fabrics worn by their servants, delineating both economic and social standing. The deceptively comfortable fabrics covering the women’s corsets,...
Stagestruck: Taking Steps to Hilarity at Barrington Stage
The classic sex farce is set in a large room with about half a dozen doors, in and out of which pop guilty lovers, jealous spouses and other staples of the genre, and behind which most of the shenanigans real and suspected take place. Alan Ayckbourne’s classic Taking...
Stagestruck: Dancing on the Edge at Jacob’s Pillow With Akash Odedra
The two mainstage programs at Jacob’s Pillow dance festival last week offered intriguing contrasts in modern dance envelope-pushing. And perhaps surprisingly, it was the simpler, solo show that delivered more variety and excitement. Aakash Odedra is an Englishman of...
Stagestruck: Opposites Attract in Silverthorne’s Gentle Comedy
Chapatti, now playing at Silverthorne Theater Company, is one of the sweetest comedies about grief, loneliness and suicide I’ve ever seen. The title is unfortunate, even confusing, since Christian O’Reilly’s play takes place in Dublin, not Delhi, and the name has...
Stagestruck: Misfit Millennials – “Speech & Debate” at Barrington Stage
Reid Thompson’s setting for Speech & Debate, now receiving a near-perfect production at Barrington Stage Company, is a high school classroom. Maps and historical posters line the walls and headshots of famous Americans form a frieze above a pair of whiteboards –...
Stagestruck: Bare Bard at Shakespeare & Co., Cymbeline Reviewed
Cymbeline is one of Shakespeare’s “romances,” those late works in which comedy blends with tragedy and the endings are neither strewn with corpses nor aclang with wedding bells, but suffused with poignancy and forgiveness. The Tempest is the most popular...
Stagestruck: Wizard of Arrrrrs — PaintBox Theatre
“Oh dear, the Wicked Witch is coming!” cried the Mayor of Munchkin City. “In that case,” responded Good Witch Glinda, “I’ve got to go.” “But why?” asked Dorothy, who was just starting to get used to not being in Kansas anymore. “Because she and I can’t be onstage at...
Stagestruck: Lives on the Line
In her “Detroit Trilogy” of plays, Dominique Morisseau looks at black lives in that once-vibrant city through the lens of three distinct eras and groups of people. Paradise Blue takes place in a 1949 jazz club in the city’s historic Black Bottom district, which is...
Stagestruck: Shakespearean Double Act
Think of Rosencrantz and Guildenstern Are Dead as fan fiction – Tom Stoppard’s contribution to the “greatest-play-ever-written” phenomenon. That is, Hamlet. In fact, though they were written centuries apart (around 1599 and 1966, respectively), the two make a...
Stagestruck: Art as Activism – Creative tactics at KO Festival
The KO Festival of Performance opened last weekend, kicking off a diverse five-week season clustered around the theme “Tactics for Trying Times.” First up was Jimmy & Lorraine, written by Talvin Wilks and developed with Hartford’s HartBeat Ensemble. The playwright...
Stagestruck: The Foreigner Hits Close To Home
There’s a disclaimer of sorts in Jack Neary’s director’s note for The Foreigner, New Century Theatre’s season opener, playing through this weekend in its temporary digs at PVPA, the area’s performing arts high school in South Hadley. In it, Neary acknowledges that...
Stagestruck: Stellar Casts Overcome Awkward Plot Points at Chester and Williamstown Theatres
Are we finally breaking through the color bar in American theater? Is the tokenism represented by theaters programming one “diverse” play during Black History Month giving way to broader representation and bolder casting choices? Judging from the area’s summer theater...
Stagestruck: Song & Dance
Two shows now running in the Berkshires are rooted in the past but right up to the minute. Both Tireless, playing this week at Jacob’s Pillow, and Ragtime, at Barrington Stage through July 15, take their inspiration from the music of a bygone era while inviting us,...
Stagestruck: Brother/Sister Act — The New Theresa Rebeck Play Gets World Debut in VT
The publicity for Downstairs, which opened at the Dorset (VT) Theatre Festival last week, gives rather short shrift to the fact that it’s a world premiere by the prolific Theresa Rebeck, whose plays Bad Dates and Mauritius are also being produced in the region this...
Stagestruck: Fowl Play(s)
“Birds of a feather flock together,” as the saying goes, but that’s no excuse for these two avian-themed plays to be running at the same time in this area. They are entirely different species. The Birds, at Barrington Stage Company, is a claustrophobic thriller, while...
Stagestruck: Mayflies and “Mill Girls”
It has been described as “theatrical mayhem” and “controlled madness,” “extreme theater” and “a mayfly” — the latter because it’s here and gone in a day. The popular annual event is simultaneously thrilling and terrifying for the dozens of theater folk who take part...
Stagestruck: “Million Dollar” Duo
As it happens, two different productions of the same show open on area stages on the same day this week. On Wednesday, Million Dollar Quartet premieres in the Berkshire Theatre Group’s Unicorn Theatre in Stockbridge, and the Majestic Theater in West Springield...
Stagestruck: Rosencrantz and Guildenstern Are Alive! and Playing in Amherst – Times Two
“We do on stage the things that are supposed to happen off. Which is a kind of integrity, if you look on every exit being an entrance somewhere else.” That line, spoken by a traveling player in Rosencrantz and Guildenstern Are Dead, could well be the elevator pitch...
Stagestruck: Radical Notions, ‘Kunstler’ and ‘Heartbreak House’
In my column in last week’s Advocate, a preview of the Valley’s summer-theater season, I reported that many of the area’s upcoming shows reflect, indirectly or explicitly, “the political landscape we are all traversing these days.” Sure enough, the first two summer...
Summer Stage Preview, Part II: Theaters on the Move
Editor’s Note: Here’s the Summer Stage Preview Part I, about the Berkshires. These days, Sam Rush often finds himself using the punning phrase “Home is where the art is.” That’s because his company, New Century Theatre, having lost its longtime home at...
Summer Stage Preview — Part I: The Berkshires
Most theaters in this region have only two seasons: summer and the rest of the year. None of the area’s professional companies are truly year-round. Some focus on intensive summer repertories of multiple shows with two- and three-week runs, while others produce only...
Stagestruck: ‘Life in the (413)’ skewers local culture Saturday
Back in the day — way, way back — live radio drama was a staple of the airwaves. As script-toting actors gathered around microphones, their dialogue was peppered with live sound effects, backed by a live band and punctuated with live commercial breaks, often with a...
Stagestruck: The Trump Effect
It seems that lately, every time I go to a play — or a movie, for that matter — it gets me thinking about Donald Trump. Ever since he and his goon squad have taken over in Washington, I’ve noticed that so much of what we see and create seems newly topical and timely....
Stagestruck: Stage on Screen
Movies are not my beat, but I often go to the theater at the Amherst Cinema. The ongoing National Theatre Live series of big-screen, high-def broadcasts from the London stage is a staple of my playgoing schedule. This month and next, the cinema screens encores of five...
Stagestruck: Force of Nature
WAM Theatre exists on two levels: to produce work that foregrounds women playwrights and performers, and to tangibly support, with a portion of ticket sales, organizations that work to better the lives of women and girls. Emilie: La Marquise du Chatelet Defends Her...
Stan and Ollie, Meet Punch and Judy — Samuel Beckett’s Endgame, with a touch of slapstick
The story goes that Samuel Beckett was walking through a London park with a friend on a glorious spring morning when his companion exclaimed, “Isn’t this just the kind of day that makes you glad to be alive?” To which Beckett replied, “Oh, I don’t think I’d go that...
Stagestruck: Shenanigans and the Sexual Revolution
On the first page of Fiona Kyle’s dramaturgical notes for Caryl Churchill’s Cloud 9, at Hartford Stage through March 19, is a photo of Margaret Thatcher. The next page features the less- recognizable face of Cecil Rhodes. He was the epitome of 19th-century British...
Stagestruck: Facing the Other — a local premiere examines the roots of violence
Talk about prejudice… Without knowing anything about the play, I walked into a rehearsal of Sweet, Sweet Spirit last week and made some snap judgments that turned out to be quite wrong. The play, which receives its regional premiere next weekend at the Academy of...
Stagestruck: A.R.T.’s “Night of the Iguana” Revives a Minor Classic
Some of those leaving the American Repertory Theater’s current production must be surprised and baffled, not to mention disappointed. On my way out of the Cambridge theater on opening night, I overheard a man asking, “Why did James Earl Jones have such a small part?”...
Stagestruck: Woman on the Edge
For a 19th-century male, Henrik Ibsen was quite the feminist. His best-known play, A Doll’s House, ends with one of the theater’s most famous sound effects as his protagonist, Nora Helmer, leaves her stifling marriage with the finality of a slamming door. An equally...
Stagestruck: Sitting Targets
Years ago, when I was living in England, one day the doorbell rang and there stood two painfully clean-cut young men in white dress shirts, narrow ties and pearly smiles. “Hello!” one of them grinned, holding up a serious-looking volume. “My name is Elder Smith, this...
Out of Their Comfort Zones
Two shows this week find performers venturing beyond the usual parameters of their craft. At UMass, students in the music department’s Opera Workshop take on Gilbert and Sullivan, and in Northampton, stage actors meet improvisers in a mashup of scripts and ad libs. On...
Stagestruck: Identity Crises
The two shows now playing at Hartford’s rep theaters couldn’t be more different, but they still share some core themes. They are Shakespeare’s rambunctious, large-cast Comedy of Errors, at Hartford Stage, and Dominique Morisseau’s small, intense contemporary drama...
Stagestruck: The Cold Warrior’s Mask
Travels with a Masked Man, John Hadden’s compelling “two-character solo performance,” seems to fall squarely in the by-now-familiar genre of the one-person memoir, in this case exploring a rocky relationship with his father. Except that this one is not at all typical....
Stagestruck: Changing Lives, One Play at a Time
When I was in California last month, I saw two plays by a small, adventurous professional theater company in Berkeley that I’d never heard of. They’re called Shotgun Players, and they’ve gone straight to the top of my Bay Area must-see list. The shows I saw were...
Stagestruck: Defying God … and Trump
Partway through last Friday’s performance at West Springfield’s Majestic Theater, something unscripted, overdue, and quite wonderful happened. The show was Peter Shaffer’s brilliant examination of genius and envy, Amadeus. The title refers to Mozart, but the...E-Edition
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